Okay – think I have the bugs worked out, so I don’t annoy every one :)) If you haven’t already you have to try Posterous!!! Simply awesome dude ;))
There never seems to be enough hours in the day – have been super busy over the summer. I need to get back into a regular routine – blog posts included – so how about a “get to know me’ post to start things back up? 🙂
HandmadeArtistsShop recently featured me on their website – Artists are send a thorough questionnaire, and Kimberly did an awesome job sorting out my blabberings – check it out if you get a chance, and I’m always happy to hear what you think. Featured Artist BobbiWired
Thanks for stopping by~
“The goal isn’t to live forever, the goal is to create something that will.” ~Chuck Palahniuk
So today was a really cool day. I made a trip to my PO box, expecting the regular bills and various sales trash that still plague the earth – and was very pleasantly surprised to find 2 letters from the Library of Congress. You see, almost 8 months ago, I started submitting my jewelry tutorials to the US Copyright Office for registration. At first, I checked my PO at least once a week, sometimes 2 or 3 times, looking for these prized letters. Silly me thought it would only be a matter of a couple weeks, and all my registrations would be sent. Nope, sorry – it’s not quite that easy. Well the registration part is – it’s the “wait for them to be researched, registered and returned” that’s the hard part, especially when patience isn’t your strong-suit.
Now, I know what some of you are thinking – “My tutorials are copyrighted as soon as I create them”, and/or “I put a notice at the end, that says they are my copyrighted works, so I don’t have to register”. Well you’re sort of right. Yes, you have a copyright on your work, as soon as it’s created and/or published; yes your notice at the end, does emphasize that fact a bit more. But, NO, you are not fully protected. It’s still incredibly easy for some nit to come along, and try and say, “no, that’s my work”, and without a Certificate of Registration, you’re a bit hard-pressed to defend against it. Now that same nit can still whine after you get your certificate, but then it is the nit who will be hard-pressed to get anywhere. The other major point, is if you need to file suit against someone for violating your rights, you HAVE TO have that registration before you can take them to court.
No, I’m not planning on taking anyone to court, but I, like every other artist out there, needed to protect myself against the whining nits. The copyright Office takes the time they do, because they do a thorough and exhaustive search, to see if your submission is already out there, and belonging to anyone else. When they send you your certificate, they don’t do it lightly. It’s basically the US Copyright Office standing on your side, saying, “Absolutely, Yes that’s your work”! One extra perk – Your work is also submitted to the Library of Congress as a permanent record! How cool is that?
Now you’d like a little help doing the same for your own tutorials? Well, I’m not an expert, but after 14 submissions, I’m on my way – so here’s some pointers and info to help you through it.
First you need to visit http://www.copyright.gov/ . There are tons of links and tutorials to answer just about any question you could ever have on copyrights. Then click on the eCO login
, read the privacy and security notice, then click on the link for new users towards the lower left side of the page under the login space. Be as complete as possible when you fill in your personal information. it will come in very handy later when you actually start a submission (registering a claim). The submission process has a great feature called “add me” wherever applicable, that inputs all your relevant personal information for you so you are not constantly retyping info.
The biggest hurdle is deciding what type of work you are submitting. For 99% of you, that will be a “Literary Work” in the drop down menu for type. Later in the submission you will have the opportunity to input exactly what all you think is included, ie photos, text, art, instruction, etc. There is a tutorial available at every step of the process if you get hung up. You can save the submission at any point, and come back to it later – very handy. You can work on your submissions as long as you like, there are no time limits set, when you start. It’s only when you send them money, and submit the tutorial does any of it become carved in stone, so take all the time you need.
I found it very handy to fill in every submission, all the way to the payment stage, and then “save for later”. Then whenever I was ready to pay for one, I just clicked on “working cases” in my profile, did one last quick check, and clicked “add to cart”. It’s only $35.00 per submission, and you can upload a pdf (make sure it is secured), directly after payment. You can send the tutorial by snail mail, but you can’t do both. If you send your pdf file, make sure you disable your pop-up blocker for this site first.
It doesn’t take long at all to get the hang of it. You have “working cases” – claims that are started but not paid for; “open cases” – claims that are paid for and submitted, but haven’t been registered by the CO yet; and “closed cases”. Those that have been registered and you have been sent certificates for. You can review any “case” at any time from your personal page after login, and your closed cases from the “my applications” link, also on your personal page.
I hope you take the time to at visit the US copyright Office website. The information is priceless. Other valuable information on the subject can also be found at http://www.sarahfeingold.com/
Comments and questions are always welcome – I’m not a lawyer, but I’ll try to answer you as best I can. If you get really hung-up, and you truly think you need a lawyer, make sure they are fluent in “Copyright Law”, not just patents, and trademarks – different animals all together.
Thanks for listening….
These wonderful hoop earrings evolved from my Swarovski Crystal Bracelet design. They can be made as big or as tiny as you like – I’ve “shrunk” them down small enough for a nose ring and of course they started as a bracelet :). This is a high-level beginner to intermediate project. The project is not complicated, but does assume you are familiar with; basic wire handling skills, such as cleaning, straightening wire, turning a basic loop, and completing a basic binding wrap.
The tutorial is available in both my Etsy Shop and on Craftsy. I hope you get a chance to check it out – while you’re there check out other fun designs you may have missed like the Knot a Ring, and Cuffs and Vines Earrings.
A friend on another forum really liked how tiny these hoops were getting, and it put the thought in my head, that maybe they would work as nose rings too. Soooooo here they are. Shae had gladly volunteered to be my guinea pig to see if they are comfortable to wear and fasten. I’ll keep ya posted 🙂
“If at first you don’t succeed, do it like your Mother told you to.” ~Unknown
Going back to the very beginning, bangle style bracelets were the very first thing I ever learned to wrap more than 20 years ago; what actually started my addiction to wire.
At the time, I was heavy into leather work and Native American style jewelry. I made leather and bone jewelry; custom saddlebags for motorcycles; and yes leather whips upon request. The tooling and sewing were taking an awful toll on my hands, and I needed a new creative outlet. A very dear friend, who owned the bead shop I haunted at the time, suggested wire wrapping. My hands were so bad, I told her, I didn’t think I could do it. I was seriously drawn to it, but it was several months after her initial suggestion, that I decided to give it a try.
She (Millie), sat down with me one night after the shop had closed, and showed me how to make the basic bangle. I still have the very first one here somewhere in my stash. The bracelets above were the next ones I made on my own (the Labradorite on the left was second – the Cloisonne’ on the right my third). The Scarab bracelet in the center was the first attempt at branching out beyond the basics. I was hooked!!! The wire was not near as hard on my hands as I thought it would be – I doubt I would have cared or stopped if it was – I was in love! The Cloisonne bracelet by the way, my Mother snagged as soon as she saw it – she was my biggest fan and snagged most all my “firsts” of any design :)).
Those first few months I couldn’t make enough of them, and after wearing one to work, everyone seemed to want one. I was averaging 10 to 15 bracelets a week, just for the people in the office where I worked.
The only drawback, was the way Millie had taught me to construct them was extremely difficult. Planning took soooo mmuch time, to get the right number of beads, and the wire just right to get the bracelet length right. Those of you who have my Swarovski Bracelet Tutorial, know I don’t construct them that way anymore. The modifications didn’t happen overnight – I experimented with many, many different construction techniques before I settled on the one I currently teach. Please don’t get the wrong idea – there is nothing wrong with the traditional way to make them, I just thought there had to be a better, prettier, and definitely easier way. Sadly Millie has long since passed away – I would have loved to show her how the basic bangle had evolved.
Though I’m definitely a “ring girl”, the bracelet is still one of my favorites to teach. The way I teach the construction now, it’s almost impossible to get the length wrong, and if you do, easy peazy to fix it.
I even experimented with tension setting a faceted stone in this style. Definitely one of the pieces I ran across that I’ll be revisiting…..
Well I’ve bent your ear enough for today, so I’m off to get some “chores” done LOL, and hopefully get some wrap time in!
Thanks for stopping by – Take care and…..
Some of you may know, I recently did a major revamp in my house, and moved my jewelry workspace into my “bird-room”. In the process of organizing and moving everything, I ran across a lot of wire work pieces I hadn’t seen in many years, and had forgotten all about.
That revamp lasted all of a month, and I had to rearrange it all again. You see my roommates’ folks want to move down with us, so I gave them my bedroom, and moved my things into the bird-room…… not all that bad, the room is huge. In the process, I found more “antiques” :))
Most of the pieces I swore would never see the light of day again. Then I got to thinking of a lot of the new wire workers I’ve met over the years, and the comments I’ve heard. “Your work is great, I wish mine were that good.” “I just make stuff for myself, it won’t ever be good enough to show or sell.” There have been oodles of other comments, but you get the idea.
I’ve decided that maybe showing some of my older pieces, wouldn’t be such a bad thing after all. You see very few, if any, wire artists pop into existence fully skilled. I certainly didn’t. My passion for wire started over 20 years ago, and continues to grow and develop everyday. So…. from time to time, as time allows (I’m probably already in hot water that the Cuffs and Vines tutorial isn’t finished yet), I will photograph and post some pictures of my older work, in the hopes that maybe it will inspire a “newbie” wire artist with little self-confidence to keep working at their craft, and not get discouraged.
If wire is what you love, NEVER give up, no matter what. That’s advice I’m going to follow for myself as well.
These are some of the very first pieces I did – over 20 years old for some of them. I haven’t found the very first piece yet, but it’s here somewhere :)) hideous, but it’s here…… So far I’ve found more than 300 pieces – some of them I cringe when I look at them, but others not so much. There are even quite a few I plan on revisiting *grin*. Most of these I had no clue what I was doing. I’d sit at my bench many, many nights putting pliers to wire to see what I could come up with. I desperately wanted to learn wire wrapping, and since no one really taught it, I had to experiment on my own. The Labradorite pendant was what I felt was my first true “success”, though I look at it now and cringe at the tool marks.
The Amethyst Crystal on the right side is from the first wire wrapping book I bought, about 1995, “Moods in Wire” by Ed Sinclair. It’s an awesome book for beginners. Mr. Sinclair is a true Master in our field; is and always be my friend and idol :)).
I suppose I’d better get back to my tutorials – no rest the wicked……… :))
See ya soon………………..
“What we do for ourselves dies with us. What we do for others and the world remains and is immortal.” ~Albert Pine
This year has been really, really rough – one set back after another, after another. If it wasn’t problems with the house, it was problems with my work. After that; relationship problems, major health issues, and financial issues – okay with that one, I’m sure just about everyone feels cursed.
Then there are the day to day curses – plumbing problems, computer viruses, car problems, and squabbling kids (no my kids are not the naked 2-legged versions – your point is?)
For weeks, I have been working on and off on a killer pair of earrings – 13.6 carats of London Blue Topaz – planning out the design, picking just the right complimentary stones – Black Spinel, and beautiful shades of Blue Tourmaline , finding quiet time to work, meticulously analyzing every turn of my pliers so as not to make a mistake. I scrutinized them under a magnifying glass when they were done, and agonized over getting just the right picture of them.
This morning, I just couldn’t leave well enough alone – I just knew I could manage a better shot of them. In setting up the shot…………. I dropped one on my terrazzo floor. Yes I can hear you groaning, and there is no need for me to repeat the barrage of expletives that followed.
As luck would have it – or the curse – it landed pavilion down, and suffered the very smallest of chips on the very point of the back of the stone. Small that is, only if you’re not an up-tight, over-worked, stressed, anal retentive perfectionist. The chip is not visible from the front – or the back when wearing them – but I still see it and – and yes I’m cursed.
thanks for commiserating with me…..
“Reverend Jorgensen: Mr. Monk, if you would be so kind as to reattach it’s head. Here’s some adhesive. Some witchgrass. Some coltsfoot. Ah. Mandrake root. Smidgen more. All I need now is the doll.
Monk: Okay, one second.
Reverend Jorgensen: It doesn’t have to be perfect.
Monk: Almost done.
Reverend Jorgensen: It’s symbolic, really.
Monk: There we go.
Reverend Jorgensen: The forces of darkness are gathering.
Monk: Hold on.
Reverend Jorgensen: It doesn’t have to be perfect!
Monk: Wait a second.
Reverend Jorgensen: It doesn’t have to be perfect.
Monk: One second, almost done.
Reverend Jorgensen: Doesn’t…
Monk: Wait one second.
Natalie: Mr. Monk, please, just let him finish!
Monk: Hold on…
Reverend Jorgensen: She’s suffering, Mr. Monk. It doesn’t have to be… okay, that’s close enough” ~ Mr Monk and the Voodoo Curse
After 2 computer crashes, countless re-writes, and a heavy teaching schedule, I finally finished my newest tutorial – 2 Hinged Cages and a Locket. It grew much larger than I originally planned, with 3 FULLY ILLUSTRATED variations. I seriously considered separating out the Locket variation as a stand alone tutorial, but the “leave it in” part of my brain won the toss.
This tutorial teaches you step by step how to create a basic hinged cage, with or without beaded embellishments. This is a wonderfully versatile design to hold a favorite stone, maybe a love note, or a treasured trinket. Once it is on a chain, it is virtually impossible to come open by accident.
As a bonus this tutorial also includes 2 COMPLETE step by step variations including a crossed wire and locket style cage.
The owner of a local bead shop showed me the mechanics of the hinge close to 15 years ago. A very dear friend of mine, Master Wire Worker Ed Sinclair, created a published one in 1994. He has generously given me permission to share my versions of the basic cage and a crossed wire technique that he developed years ago.
This is an advanced level tutorial – it assumes you are familiar with basic wire techniques and improvising when needed. It is 28 pages with 67 steps and over 100 crisp, clear photographs. The file size is 2.3MB.
Don’t be intimidated by the length and number of steps – This tutorial covers 3 FULLY illustrated pieces. While this is an advanced level tutorial, intermediate wire workers with a solid foundation of basic wire wrapping skills can, with patience, complete this design.
Thank you for visiting……. Bobbi
“Thousands of candles can be lighted from a single candle, and the life of the candle will not be shortened. Happiness never decreases by being shared.” ~Bhuddha