Okay – think I have the bugs worked out, so I don’t annoy every one :)) If you haven’t already you have to try Posterous!!! Simply awesome dude ;))
There never seems to be enough hours in the day – have been super busy over the summer. I need to get back into a regular routine – blog posts included – so how about a “get to know me’ post to start things back up? 🙂
HandmadeArtistsShop recently featured me on their website – Artists are send a thorough questionnaire, and Kimberly did an awesome job sorting out my blabberings – check it out if you get a chance, and I’m always happy to hear what you think. Featured Artist BobbiWired
Thanks for stopping by~
“The goal isn’t to live forever, the goal is to create something that will.” ~Chuck Palahniuk
So today was a really cool day. I made a trip to my PO box, expecting the regular bills and various sales trash that still plague the earth – and was very pleasantly surprised to find 2 letters from the Library of Congress. You see, almost 8 months ago, I started submitting my jewelry tutorials to the US Copyright Office for registration. At first, I checked my PO at least once a week, sometimes 2 or 3 times, looking for these prized letters. Silly me thought it would only be a matter of a couple weeks, and all my registrations would be sent. Nope, sorry – it’s not quite that easy. Well the registration part is – it’s the “wait for them to be researched, registered and returned” that’s the hard part, especially when patience isn’t your strong-suit.
Now, I know what some of you are thinking – “My tutorials are copyrighted as soon as I create them”, and/or “I put a notice at the end, that says they are my copyrighted works, so I don’t have to register”. Well you’re sort of right. Yes, you have a copyright on your work, as soon as it’s created and/or published; yes your notice at the end, does emphasize that fact a bit more. But, NO, you are not fully protected. It’s still incredibly easy for some nit to come along, and try and say, “no, that’s my work”, and without a Certificate of Registration, you’re a bit hard-pressed to defend against it. Now that same nit can still whine after you get your certificate, but then it is the nit who will be hard-pressed to get anywhere. The other major point, is if you need to file suit against someone for violating your rights, you HAVE TO have that registration before you can take them to court.
No, I’m not planning on taking anyone to court, but I, like every other artist out there, needed to protect myself against the whining nits. The copyright Office takes the time they do, because they do a thorough and exhaustive search, to see if your submission is already out there, and belonging to anyone else. When they send you your certificate, they don’t do it lightly. It’s basically the US Copyright Office standing on your side, saying, “Absolutely, Yes that’s your work”! One extra perk – Your work is also submitted to the Library of Congress as a permanent record! How cool is that?
Now you’d like a little help doing the same for your own tutorials? Well, I’m not an expert, but after 14 submissions, I’m on my way – so here’s some pointers and info to help you through it.
First you need to visit http://www.copyright.gov/ . There are tons of links and tutorials to answer just about any question you could ever have on copyrights. Then click on the eCO login
, read the privacy and security notice, then click on the link for new users towards the lower left side of the page under the login space. Be as complete as possible when you fill in your personal information. it will come in very handy later when you actually start a submission (registering a claim). The submission process has a great feature called “add me” wherever applicable, that inputs all your relevant personal information for you so you are not constantly retyping info.
The biggest hurdle is deciding what type of work you are submitting. For 99% of you, that will be a “Literary Work” in the drop down menu for type. Later in the submission you will have the opportunity to input exactly what all you think is included, ie photos, text, art, instruction, etc. There is a tutorial available at every step of the process if you get hung up. You can save the submission at any point, and come back to it later – very handy. You can work on your submissions as long as you like, there are no time limits set, when you start. It’s only when you send them money, and submit the tutorial does any of it become carved in stone, so take all the time you need.
I found it very handy to fill in every submission, all the way to the payment stage, and then “save for later”. Then whenever I was ready to pay for one, I just clicked on “working cases” in my profile, did one last quick check, and clicked “add to cart”. It’s only $35.00 per submission, and you can upload a pdf (make sure it is secured), directly after payment. You can send the tutorial by snail mail, but you can’t do both. If you send your pdf file, make sure you disable your pop-up blocker for this site first.
It doesn’t take long at all to get the hang of it. You have “working cases” – claims that are started but not paid for; “open cases” – claims that are paid for and submitted, but haven’t been registered by the CO yet; and “closed cases”. Those that have been registered and you have been sent certificates for. You can review any “case” at any time from your personal page after login, and your closed cases from the “my applications” link, also on your personal page.
I hope you take the time to at visit the US copyright Office website. The information is priceless. Other valuable information on the subject can also be found at http://www.sarahfeingold.com/
Comments and questions are always welcome – I’m not a lawyer, but I’ll try to answer you as best I can. If you get really hung-up, and you truly think you need a lawyer, make sure they are fluent in “Copyright Law”, not just patents, and trademarks – different animals all together.
Thanks for listening….
These wonderful hoop earrings evolved from my Swarovski Crystal Bracelet design. They can be made as big or as tiny as you like – I’ve “shrunk” them down small enough for a nose ring and of course they started as a bracelet :). This is a high-level beginner to intermediate project. The project is not complicated, but does assume you are familiar with; basic wire handling skills, such as cleaning, straightening wire, turning a basic loop, and completing a basic binding wrap.
The tutorial is available in both my Etsy Shop and on Craftsy. I hope you get a chance to check it out – while you’re there check out other fun designs you may have missed like the Knot a Ring, and Cuffs and Vines Earrings.
Hi all – just wanted to let you know – Perri Jackson aka Shaktipaj Designs will be visiting me for just about a week, next week in fact, to get ready for our classes in Oct In Orlando. We plan to play at Buttons Bangles, and Beads on Corey Ave, St Pete Beach, Sat Sept 11th and Monday Sept 13th. Stop by, say hi, and get a sneak peak at some of the designs we are teaching in Orlando. We will not be teaching classes these 2 days, but just providing a little eye-candy to drool on. :)) Also, Perri and I would both love to get to meet some of our internet friends in person!!
Plus don’t forget, there is still time and room to sign up for the Orlando classes. Check put www.beadngemsinfl.com/wire-school.html for more information, and to download the registration information and form.
Hope to see ya soon!
A friend on another forum really liked how tiny these hoops were getting, and it put the thought in my head, that maybe they would work as nose rings too. Soooooo here they are. Shae had gladly volunteered to be my guinea pig to see if they are comfortable to wear and fasten. I’ll keep ya posted 🙂
“If at first you don’t succeed, do it like your Mother told you to.” ~Unknown
Most of you in the jewelry world are aware of recent events surrounding Corra’s Pipa Knot, and the subsequent infringement posted on JL for sale. Only now is Jewelry Lessons Admin looking into the situation by posting a LOCKED thread on JL asking for facts. http://www.jewelrylessons.com/question/we-need-facts
They asked for facts? Okay – pictures speak louder than words…..
Corra’s Pipa Knot this woman is teaching……..
I can’t post any more of Tangocats’ tutorial – They posted the whole work in the blog – I won’t post the link for this either, I think it’s worse than awful.
How about Athereal Minx’s Octopus?
Eni herself isn’t even safe….
Do I really need more?
Going back to the very beginning, bangle style bracelets were the very first thing I ever learned to wrap more than 20 years ago; what actually started my addiction to wire.
At the time, I was heavy into leather work and Native American style jewelry. I made leather and bone jewelry; custom saddlebags for motorcycles; and yes leather whips upon request. The tooling and sewing were taking an awful toll on my hands, and I needed a new creative outlet. A very dear friend, who owned the bead shop I haunted at the time, suggested wire wrapping. My hands were so bad, I told her, I didn’t think I could do it. I was seriously drawn to it, but it was several months after her initial suggestion, that I decided to give it a try.
She (Millie), sat down with me one night after the shop had closed, and showed me how to make the basic bangle. I still have the very first one here somewhere in my stash. The bracelets above were the next ones I made on my own (the Labradorite on the left was second – the Cloisonne’ on the right my third). The Scarab bracelet in the center was the first attempt at branching out beyond the basics. I was hooked!!! The wire was not near as hard on my hands as I thought it would be – I doubt I would have cared or stopped if it was – I was in love! The Cloisonne bracelet by the way, my Mother snagged as soon as she saw it – she was my biggest fan and snagged most all my “firsts” of any design :)).
Those first few months I couldn’t make enough of them, and after wearing one to work, everyone seemed to want one. I was averaging 10 to 15 bracelets a week, just for the people in the office where I worked.
The only drawback, was the way Millie had taught me to construct them was extremely difficult. Planning took soooo mmuch time, to get the right number of beads, and the wire just right to get the bracelet length right. Those of you who have my Swarovski Bracelet Tutorial, know I don’t construct them that way anymore. The modifications didn’t happen overnight – I experimented with many, many different construction techniques before I settled on the one I currently teach. Please don’t get the wrong idea – there is nothing wrong with the traditional way to make them, I just thought there had to be a better, prettier, and definitely easier way. Sadly Millie has long since passed away – I would have loved to show her how the basic bangle had evolved.
Though I’m definitely a “ring girl”, the bracelet is still one of my favorites to teach. The way I teach the construction now, it’s almost impossible to get the length wrong, and if you do, easy peazy to fix it.
I even experimented with tension setting a faceted stone in this style. Definitely one of the pieces I ran across that I’ll be revisiting…..
Well I’ve bent your ear enough for today, so I’m off to get some “chores” done LOL, and hopefully get some wrap time in!
Thanks for stopping by – Take care and…..
Some of you may know, I recently did a major revamp in my house, and moved my jewelry workspace into my “bird-room”. In the process of organizing and moving everything, I ran across a lot of wire work pieces I hadn’t seen in many years, and had forgotten all about.
That revamp lasted all of a month, and I had to rearrange it all again. You see my roommates’ folks want to move down with us, so I gave them my bedroom, and moved my things into the bird-room…… not all that bad, the room is huge. In the process, I found more “antiques” :))
Most of the pieces I swore would never see the light of day again. Then I got to thinking of a lot of the new wire workers I’ve met over the years, and the comments I’ve heard. “Your work is great, I wish mine were that good.” “I just make stuff for myself, it won’t ever be good enough to show or sell.” There have been oodles of other comments, but you get the idea.
I’ve decided that maybe showing some of my older pieces, wouldn’t be such a bad thing after all. You see very few, if any, wire artists pop into existence fully skilled. I certainly didn’t. My passion for wire started over 20 years ago, and continues to grow and develop everyday. So…. from time to time, as time allows (I’m probably already in hot water that the Cuffs and Vines tutorial isn’t finished yet), I will photograph and post some pictures of my older work, in the hopes that maybe it will inspire a “newbie” wire artist with little self-confidence to keep working at their craft, and not get discouraged.
If wire is what you love, NEVER give up, no matter what. That’s advice I’m going to follow for myself as well.
These are some of the very first pieces I did – over 20 years old for some of them. I haven’t found the very first piece yet, but it’s here somewhere :)) hideous, but it’s here…… So far I’ve found more than 300 pieces – some of them I cringe when I look at them, but others not so much. There are even quite a few I plan on revisiting *grin*. Most of these I had no clue what I was doing. I’d sit at my bench many, many nights putting pliers to wire to see what I could come up with. I desperately wanted to learn wire wrapping, and since no one really taught it, I had to experiment on my own. The Labradorite pendant was what I felt was my first true “success”, though I look at it now and cringe at the tool marks.
The Amethyst Crystal on the right side is from the first wire wrapping book I bought, about 1995, “Moods in Wire” by Ed Sinclair. It’s an awesome book for beginners. Mr. Sinclair is a true Master in our field; is and always be my friend and idol :)).
I suppose I’d better get back to my tutorials – no rest the wicked……… :))
See ya soon………………..
“What we do for ourselves dies with us. What we do for others and the world remains and is immortal.” ~Albert Pine
It’s such a shame – I really liked you. Tutorial projects were easy to create – you gave me a really pretty storefront with lots of extras – I had tons of cool projects planned – and Best of all my customers could have instant downloads and/or order a printed copy – all for reasonable creator fees………
Then you got greedy – you added a surcharge of $1.49 per project if any editing was done to the project. and when I didn’t need to edit, YOU put a password on ALL my tutorials behind my back – I didn’t find this out until a customer wrote to me telling me they purchased a tutorial and couldn’t open it without a password.
The only way to get the password off?? You guessed it – upload a new copy of the pdf’s – which of course would count as editing, and bingo – charged $1.49 per project! All attempts at getting real customer service help have gone unanswered. Oh you answered the first time – repeating almost word for word my questions about the passwords but providing no real help with the issue. It has now been a month since these problems started (I’ve written to you 6 times), and you continue to ignore me.
So? YOU’RE FIRED!!!!! Adios – Farewell – See Ya! I have deleted all my tutorials from your site – or should I say tried to – You put them as retired, which I’m sure you will count as editing, thereby charging me $1.49 for each deletion.
I’m sure there is someone else out there who will treat me better, and have real customer service, that actually cares, and provides the services they promise. Be careful LuLu – if you’re treating all your customers this way, I imagine you will get fired a lot!!
This year has been really, really rough – one set back after another, after another. If it wasn’t problems with the house, it was problems with my work. After that; relationship problems, major health issues, and financial issues – okay with that one, I’m sure just about everyone feels cursed.
Then there are the day to day curses – plumbing problems, computer viruses, car problems, and squabbling kids (no my kids are not the naked 2-legged versions – your point is?)
For weeks, I have been working on and off on a killer pair of earrings – 13.6 carats of London Blue Topaz – planning out the design, picking just the right complimentary stones – Black Spinel, and beautiful shades of Blue Tourmaline , finding quiet time to work, meticulously analyzing every turn of my pliers so as not to make a mistake. I scrutinized them under a magnifying glass when they were done, and agonized over getting just the right picture of them.
This morning, I just couldn’t leave well enough alone – I just knew I could manage a better shot of them. In setting up the shot…………. I dropped one on my terrazzo floor. Yes I can hear you groaning, and there is no need for me to repeat the barrage of expletives that followed.
As luck would have it – or the curse – it landed pavilion down, and suffered the very smallest of chips on the very point of the back of the stone. Small that is, only if you’re not an up-tight, over-worked, stressed, anal retentive perfectionist. The chip is not visible from the front – or the back when wearing them – but I still see it and – and yes I’m cursed.
thanks for commiserating with me…..
“Reverend Jorgensen: Mr. Monk, if you would be so kind as to reattach it’s head. Here’s some adhesive. Some witchgrass. Some coltsfoot. Ah. Mandrake root. Smidgen more. All I need now is the doll.
Monk: Okay, one second.
Reverend Jorgensen: It doesn’t have to be perfect.
Monk: Almost done.
Reverend Jorgensen: It’s symbolic, really.
Monk: There we go.
Reverend Jorgensen: The forces of darkness are gathering.
Monk: Hold on.
Reverend Jorgensen: It doesn’t have to be perfect!
Monk: Wait a second.
Reverend Jorgensen: It doesn’t have to be perfect.
Monk: One second, almost done.
Reverend Jorgensen: Doesn’t…
Monk: Wait one second.
Natalie: Mr. Monk, please, just let him finish!
Monk: Hold on…
Reverend Jorgensen: She’s suffering, Mr. Monk. It doesn’t have to be… okay, that’s close enough” ~ Mr Monk and the Voodoo Curse
Murphy and Gabby are Swainson’s Rainbow Lories – Aside from their personality, they are absolutely identical. They’ve been with me for about 7 years. They are (were) inseparable. Shortly after I first got them, Murphy became incredibly sick. I was having to take her to the vet every week or so, for shots and weigh-ins. Gabby had to go along, because even separating them for an instant, triggered heart-wrenching contact whistles until they were reunited.
2 months ago, one of them – I don’t know which – got hung up in one of their stuffed toys, and started screaming bloody murder. The other one jumped on the first, and they both proceeded in tearing each other apart. Unlike a lot of birds, there is no “beak-fencing” or “toe-jabbing” during an argument. Lories lock up hard and in a matter of the few minutes it took to separate them, both were badly bloodied.
Now I understood this fight, no matter how gruesome and upsetting it was. One was screaming, and the others’ instinct for survival kicked in. Nature tells them to silence the one that is possibly attracting a predator.
I got out a travel cage, and put Murphy in it, and put Gabby back in the big cage after some much needed doctoring for both. I butted the travel cage up to the big cage so they could get close, but not actually get in contact. After about 2 weeks, I let them get back together, and after a little posturing, all was well. They groomed and cuddled more than any Lovebird pair I’ve ever seen.
All was well until 2 weeks ago. I was standing next to their cage, and they were rolling around on the floor, with this somewhat happy noise that I usually hear when they are bathing. As I stood and watched, to my horror, blood and feathers started flyin’. I scrambled to get into the cage and try separate them. They were at it so hard, I had to just grab one by the tail, and pull them both out together. I had to forcibly pry them apart. And no sooner would I get them apart, than they would run at each other again. Fortunately (for them anyway) I was the only one bit and bleeding this time.
I didn’t understand this fight at all. There was no screaming; no cries of pain and fear. And Murphy, it turns out is the aggressor this time. Gabby, up until now, has always been the dominant of the two. I understand it even less, since after 2 weeks of separation, they still will not tolerate each other. I tried to let them get back together with no success. Murphy immediately goes for blood, and poor Gabby runs for his life. It just breaks my heart! They have always been such a loving couple of birds – they sleep together curled up in a hidey-hut, they feed each other, groom each other constantly – or they did – not anymore. The really sad part is, that while they are separated, the contact calls are constant. The same calls Gabby made whenever Murphy was being examined by the Vet and he was still in the cage. They sit – Murphy in the travel cage, Gabby in the big cage, facing each other – all the while chattering and whistling as if wanting to be together.
I will wait another 2 weeks and s try it again, but I’m afraid that if it doesn’t work, they will have to be permanently separated. I can’t sit and watch them 24/7, and the thought of them having another go-round when I’m not around to break it up physically sickens me. Though no more than them having to live permanently separate from each other. As I’ve said before, it breaks my heart, and brings tears to my eyes, even as I write this.
Thank you for visiting – if any Lorie Guru happens to read this, and has any thoughts on what is happening, I’d love to hear from you.
“There is no greater delight than to watch two love birds, twittering and chirping merrily as the first rays of the sun appear over the tree-tops.” ~Unknown
Hey Fans Of My Wired Imagination – Join me in Post – Promote – Share
Just one little catch 😀
Promote fellow handmade artists/friends. Show off your work and the work of your friends and fellow artists.
You can post as many different items as you like, but you must be a fan, and for every item you post, you have to promote a different artist/item in return……
Promote HandMade – Post – Promote – Share
You can post to discussions or to the wall with the title “Post One – Promote One”
thank you for visiting…..
“Thousands of candles can be lighted from a single candle, and the life of the candle will not be shortened. Happiness never decreases by being shared.” ~Bhuddha
I purchase a lot of tutorials both here and out on the WWW, and it never ceases to amaze me, the number of tutorials that aren’t secured in any way. It’s sad to have to think about it, but in this day and age, it has to be considered.
Why? If your tutorial is not secured, anyone having a copy of it can easily lift both photos and text and place them in a document of their own. Now I know what you’re thinking – “I have a copyright notice at the end of my tutorial, so I’m protected.” No you’re not! These days, a simple copyright statement is not near enough. Anyone with little to no moral values, can and will swipe your content.
Now if they are really determined, there are programs out there that will get past the security by brute force – but why make it easy for them?
There are 2 wonderful inexpensive options out there for you. (Probably a lot of options, but these 2 are my favorites.)
First (and free) is OpenOffice –http://www.openoffice.org/ This is a wonderful alternative to Microsoft Word. It will even allow you to open a completed Word document in Open office, and retain your Word formatting. To create a PDF, you simply “export to PDF’ which opens a wonderful host of options – how the tutorial is viewed; the ability to change the quality percentage to reduce the file size if needed; and add very specific security features. They (Open Office) has great support features to help with any questions about the program you might have. One of the nicest features is the ability to set the pages at “continuous” so the reader sees the information flow, rather than “jump” from page to page. They can view, say the bottom of one page and the top of the next page at the same time, which helps in viewing a complex set of steps.
Second is Deskpdf by Docudeskhttp://www.docudesk.com/desk_pdf_product_home.shtml This one is not free, but for $25.00 is not bad either. This one I consider my “quick and dirty” PDf converter. It has the wonderful option to sit on your desktop, and convert ANY FILE to PDF. It’s quite useful even outside the primary objective of converting a tutorial. The security features in this one are a bit higher than OpenOffice, and a little more intuitive, but it does lack the option to set the PDF to continuous – the pages automatically flip to the next page, when you scroll down to the bottom.
I’ve had several conversations with other artists, that really don’t see the need for securing their document; but you put a lot of work into creating your tutorials and sending them out in the world unsecured is asking someone to steal your hard work.
Thanks for listening 😀 – if you have any questions about these 2 programs, just holler – I’m always happy to help.
“Thousands of candles can be lighted from a single candle, and the life of the candle will not be shortened. Happiness never decreases by being shared.” ~Bhuddha